31

In her day-in-the-life portrait of an African-American woman, Simpson uses tropes of cinema, diary, and surveillance. The portrait appears on 31 12-by-9-inch flat video screens arrayed on a gallery wall to resemble a month on a calendar: a row of three screens tops four rows of seven screens. Each video runs about 20 minutes and appears to chronicle the events of a single day; most shots last around five seconds and the streams of imagery are not synchronized, so viewers face a kinetic panorama. -Bill Stamets