Thaler’s, Meier’s, Sadkowsky’s Life in the Evening

I wanted to make a portrait of three artists that would show them by primarily using their surroundings. Therefore, the artists themselves would not be in the picture but rooms, objects, where they walk to and where they drive, and personal and impersonal things around the artists would be described. Through the rhythm of the takes, I tried to achieve a poetic flow that would smoothly compliment their personalities. I told myself at the time that pictures and the rhythm of the pictures should be enough to characterize the three. (HHK)